Vientiane Laos Music
The increasing Thai hegemony spread Thai dance and acting traditions in Cambodia and Laos, and ritual entertainment in small Laotian courts was heavily modelled on Thai. The theatrical derivation of lam pheun, also known as lam luang, was born in response to the increasing urbanization of Southeast Asia, which led to an increasing cultural diversity in the form of ethnic and religious diversity. After the decline of the Thai Empire and the rise of Thai culture in Laos and Cambodia in the late 19th and early 20th centuries, Lao music became fashionable in Thailand.
The Khmer tradition was the first centre of court music, which changed in 1828 when the Siamese plundered Vientiane and slowly infiltrated the court's musical traditions. King Fa Ngum in the 14th century, who grew up and grew up in Angkor Wat, and his son, King Phnom Penh's son and heir to the throne. The Khmer tradition changed the courts and the music at the court, as it was the centre of attention until 1826, but then again after the invasion of Thailand, when the SIAMESe released them from Vientsiane. King Fa ngum was educated and grew up in Angkorswat, then Ang Khae, the capital of Cambodia.
Lao music in Thailand differs from local pop music and singing traditions, as many of the Laotians fly, but they claim to be their own. The Laaans claim this as part of their cultural heritage, although it is not their native music and it is no different from local pop music or singing traditions, because they use flying, singing, dancing and other forms of musical expression.
It should always be remembered that the Lao music found in Thailand is mainly Thai - influenced by the Thais, a group of Laotians living within the borders of Thailand. There are many different music styles from different countries around the world, and there is a wide range of music styles and genres in Thai music, but it is always worth remembering that "Lao" in "Music" is a collection of mostly Thai-inspired music from Laotian and other Thai people living across the border from Thailand, as well as other local music.
Traditional music in Laos bears some similarities to traditional music from Thailand and Cambodia, including the names of the instruments, influences and development.
We see that Laos and Thailand share some similar characteristics in music, and Wot uses their traditional instruments in Laos (and northern Thailand). What reinforces the similarities between the music of Laos and Thailand is that the Siamese conquered Laos in the 19th century, but Thailand did not.
The most ubiquitous wind instrument in Laos is the Chene, which is used by the Tay Tai - speaking groups. Chen-accompanied magistral singing is also popular in Thailand, where there is a large ethnic Laotian population.
In addition, the traditional Laotian story show Garavek with Khene is very popular in Luang Prabang and an example of Laotian folk music. During the show you will have the opportunity to hear the legendary stories of Lueng Pr Abang, as well as the many famous places in the area, which is a way to enjoy this show and gain more knowledge about the unique country of Laos. If you have a Laos tour package, let us enjoy some special music on the way!
The locals play traditional music, which will be an unforgettable experience and you can see it with your own eyes. It is possible to experience animistic dances related to the Nha as well as the traditional dances of the locals. So, go to Laos to immerse yourself in the tradition of traditional music of Laos that makes your soul more peaceful. A Laos trip that combines traditional music with a tour of Lao culture and a visit to one of its most famous places.
The video also shows how the Lao spirit is used to make Lao folk music more glamorous, and shows that Morlum is also a very important part of the traditional music of Laos. Traditional music in Laos bears some similarities to traditional music in Thailand and Cambodia, including names, instruments, influences and development. The Chinese and Thai culture influenced Northern Laos, but the southern parts of it are influenced by the Mon and Khmer culture, therefore the Lao music also contains the Mon / Khmer Soul in him. Cambodian Traditional Music: Traditional music in Thailand, Cambodia and Laos has had and still has some similarity to traditional music in Thai and Cambodian music (including name, instrument, influence, development).
In Laos, three types of populations are considered: the Laotian (literally highland, lowland and midland), the Mon and Khmer and the other ethnic groups living in Laos. The music of Laos includes music of all, as they all live mainly in houses of traditional Laotian design.
Because if someone lives in a house on stilts, eats sticky rice, listens to Mor and plays Khene, he must be Laot and not have any relationship with Laos. The people play mainly Thai music with Thai instruments and in Khmer they call these ensembles the term Pin Peat.